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D.R.Nicolas Urlacher

 

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D.R.Nicolas Urlacher



Tous les textes de Culture & Cie sont la propriété de l'auteur et, le cas échéant, des médias dans lesquels ils ont été publiés. Ils sont protégés par les articles 111 et 121 du Code de la propriété intellectuelle. Toute reproduction est illégale et entraînera des poursuites judiciaires immédiates. Culture & Cie a par ailleurs veillé à utiliser des illustrations libres de droit OU BIEN à obtenir les autorisations des auteurs afin de publier leurs images. Veuillez donc noter que de nombreuses images du site ne sont pas libres de droit et sont également protégées par les articles mentionnés.

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D.R.Nicolas Urlacher



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In English

Jim Dine presents Pinocchio


For his return to Galerie Daniel Templon since 2003,  engages both spaces of the gallery with a spectacular exhibition around the figure of Pinocchio. The main gallery will be devoted to a series of large scale painted wood sculptures while our new space Impasse Beaubourg will serve as a showcase for new colorful etchings, inspired by the different episodes of Pinocchio’s adventures.

Bookmark...
Jim Dine
Pinocchio
April 12- May 28, 2008
Opening reception Saturday, April 12, noon - 8pm

Galerie Daniel Templon
Impasse Beaubourg, 75003 Paris
Tuesday - Saturday, 10 AM - 7 PM
www.danieltemplon.com

Also on CultureCie...



Par AE - Publié dans : In English

Mamiko Otsubo

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Born in 1974 in Nishinomiya City, Japan, Mamiko Otsubo lives and works in Brooklyn, USA. Mamiko Otsubo’s objects and drawings deal with the subject of landscape: Sun, clouds, water and mountains are the kind of leitmotifs that appear in her work, fractured into abstraction.

Her polished surfaces with their carefully coordinated color and material combinations aim at a direct and sublime perception of traditional pictorial themes. Otsubo, who was born in Japan and now lives in New York, combines the visual elements of the different cultures that have influenced her with playful perfection and a touch of humor. She radically reduces the shapes she has borrowed from nature and interweaves them with elements taken from architecture and design. In this, she has particular recourse to the formal vocabulary of 20th-century modernist furniture design which, in turn, takes its inspiration from the fine arts.

MAMIKO-OTSUBO---culturecie.com---arts.jpg The family of work produced by Otsubo for Art & Entrepreneurship demonstrates the whole breadth of her artistic oeuvre. For example, her star-shaped sculpture Stars references the 1960s design classic called "The Butterfly Chair", as well as a romantic idea of nocturnal bliss. In her work "Milky Way" she leads viewers astray, tongue in cheek, as they see themselves confronted with a misappropriated bench. Rather than applying the set of entrepreneurial values to her work as a subject matter, Mamiko Otsubo states that "it was more appropriate for me to think of them [the values] as essential elements in a tool kit for me as an artist."

Mamiko Otsubo’s work is located in an area of conflict in terms of cultural theory, comprising
as it does nature, design and art, and continues the modernist debate. Otsubo came to public attention in New York in 2005 through a project in the public sphere for the famous Public Art Funds and her participation in exhibitions at the Sculpture Center in 2007 in Long Island City.

Also on CultureCie...


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Par CultureCie - Publié dans : In English

Nicola Gobetto

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Born 1980 in Milan, Italy, Nicola Gobetto lives and works in Milan, Italy. Nicola Gobbetto is interested in the language of form and the possible shapes form can take, in forms that are formless, and in their complete dissolution. He takes as his starting point themes from art history, popular history and the children’s world – as regards the latter, in particular interpretations of fairy tales from the Brothers Grimm to Disney.

NICOLA-GOBBETTO---culturecie.com-expositions---arts.jpg He then abstracts or alienates these forms to the point where they become irritating and disturbing. The sculpture named Boys & Girls that Gobbetto has devised for Art & Entrepreneurship is made up of a series of pink and bright-blue triangular shapes, each mounted on three legs with industrial castors attached to them, enabling the piece as a whole to mutate and transform easily in space. The colors refer to the social convention of gender color coding for infants and contrast sharply with the almost ridiculous form (minitables on wheels), while at the same time the triangle echoes the geometrical shapes of constructivist abstraction.

The explicit wonder and fascination for the workings of society is something that occurs in many of Gobbetto’s works. Here the triangular minitables can be understood as representing individuals or clusters as part of a whole, thus literally describing the various entrepreneurial values that stood as a starting point: The Italian’s style stands out for its ostensible naivete and innocence while always containing autoreflective and satirical traits in its acutely penetrative presentation into social conventions. It is this ability that makes Gobbetto such a lovable rascal among the new generation of artists. Nicola Gobbetto’s works went on show in 2007, among others, at Centre PasquArt in Biel, in Rome’s Palazzo Fendi and in the Museo Pecci in Prato. In 2007 he was nominated for the renowned Furla Prize.

In English on CultureCie...
 
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Par AE - Publié dans : In English
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